Friday, October 05, 2007

Pledging My Support

When it comes to public giving, national cultures vary widely.  The US is traditionally a nation of generous givers, still characterized by that “spirit of mutual helpfulness” remarked on by Alexis de Toqueville in his 1835 book, “Democracy in America.” Unlike my compatriots in the UK, who expect the state to provide a broad range of goods and services paid for through taxes, most Americans prefer their taxes low and their government small.  Where the state and marketplace do not provide, there American volunteerism and philanthropy step in, funding projects as diverse as food pantries and symphony halls.

Philanthropy in the US involves $300 billion dollars each year.  That’s three dollars followed by 11 zeros.  It’s a vast amount of money, nearly 2% of the Gross Domestic Product.  National participation in giving is extensive:  Roughly three quarters of all Americans donate money to charity each year, usually to emergency aid, to their place of worship and it’s projects, or to a local group to which they have personal ties.

But giving isn’t just about dollars.  Bill Clinton’s new book on the subject catalogues the variety of gifts folks can contribute to the public good.  He describes cases where people can donate time and skills as well as cash to causes they believe in.  The book may be Bill’s come-lately bid for elder statesman gravitas, and it does feature some transparent Hillary-hyping, but it is an inspiring read all the same. As the book’s subtitle says, “each of us can change the world.”

Clinton instances the story of Oseola McCarty, who at the age of eighty-seven gave $150,000 to the University of Southern Mississippi to endow a scholarship for African American students.  Ms. McCarty had dropped out of school in sixth grade to tend her sick aunt, and then worked for seventy-five years as a laundress.  She lived frugally and eventually saved enough money to give other black students the educational opportunities she missed.

In addition to helping the needy, voluntary donations of time and money support the arts and culture, in distinctively American ways.

A couple of weeks ago, I went to matinee of a musical celebrating the life and tunes of Buddy Holly at the recently restored Civic Theatre in South Bend.  As the chords of “That’ll be the Day” rose from the stage into the fresh painted dome of the former Masonic Temple, I checked the donors listed in the programme.  Nine pages of names spelled out an impressive alliance of public agencies, corporate and individual private donors that restored this handsome building in the heart of downtown.

As to mass media, when I first landed in America, I found it weird you could buy a TV without a license.  In the UK, that venerable cultural institution, the British Broadcasting Corporation, is financed by annual license fees paid by all TV viewers, even those who never watch the Beeb.  The license is a chunk of change, about 270 bucks a year, but as a result, Miss Marple never has to halt her investigations for a commercial break.

In the UK, Brits fondly think of the BBC as “Auntie,” not Big Brother.  However, since the idea of state subsidised mass media sets most Americans on Red Alert, public radio and TV here have developed other fundraising models.  In line with the American culture of putting your private monies where your mouth is, public media appeal directly to their audience for funding.  The public radio fund-drive is the grown up version of the roadside lemonade stand to support your local sports team.

So, when the WVPE fund drive starts up, don’t turn off the radio.  Go to the phone or the internet and make a pledge to support the station you care about.  It’s the American thing to do.

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A random selection from more than 300 Michiana Chronicles -- refresh the browser to see another set:

Joe Chaney -- More essays by Joe

Louise Collins -- Pledging My Support / More essays by Louise

April Lidinsky -- More essays by April

Jonathan Nashel -- More essays by Jonathan

Jeff Nixa -- More essays by Jeff

Ken Smith -- More essays by Ken

Jeanette Saddler Taylor -- More essays by Jeanette